Film Pravda

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Léa Seydoux

  • The French Dispatch + Exhibition Review

    Opening the box on Wes Anderson’s stuffed trunk of papers, The French Dispatch (plus review of the exhibition for it!)

    December 7, 2021

    Alex

    Uncategorized
    180 The Strand, Adrien Brody, Art, Benicio Del Toro, Bill Murray, Cinema, Comedy, Delight, Edward Norton, Film, Film Pravda, Frances McDormand, Henry Winkler, History, Ideas, Illusion, Jason Schwartzmann, Jeffery Wright, Léa Seydoux, Love, Magazines, Magic, Owen Wilson, Publishing, Robert D. Yeoman, Saoirse Ronan, The French Dispatch, The French Dispatch Exhibition, The New Yorker, Tilda Swinton, Timothée Chalamet, Wes Anderson, Writing
    The French Dispatch + Exhibition Review
  • Something Old, Something New: Beauty and the Beast and Cinematic Adaptations (1946,2014,2017)

    A look at 3 adaptations of Beauty and the Beast, and what makes them work (or don’t work).

    April 18, 2017

    Alex

    Beauty and the Beast (2017), La Belle et la Bête (1946), La Belle et la Bête (2014), Uncategorized
    1946, 2014, 2017, Adaptation, Beauty And The Beast, Bill Condon, Christophe Gans, Cinema, Dan Stevens, Emma Watson, Film, Film Pravda, Jean Cocteau, Jean Marais, Josette Day, La Belle et la Bête, Léa Seydoux, Magic, Process of Adaptation, Spirit, Stories, Vincent Cassel
    Something Old, Something New: Beauty and the Beast and Cinematic Adaptations (1946,2014,2017)

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