Mother!

Mother!

Mother! (2017, Dir. Darren Aronofsky) is a film which as that exclamation mark in its name suggests, is not for the fainthearted. It has quickly become one of the most controversial pictures of the year, with many critics and audience members being torn over what to think about it. When I had first came out of the screening I was in the same boat, baffled at what I had just seen. One thing I knew for certain was  that it’s an experience that will need a strong constitution to take. This of course shouldn’t come as a surprise to those familiar with Aronofsky’s past work, he is not exactly a comedic romp kind of guy. As he has shown in his past work, he really does not have any fear in delving into darkly twisted moments of depravity and horror. He sits in the same box as Lars Von Trier in my mind as an individual enfant terrible kind of figure, railing against sense and decency with an admirable verve. Unfortunately for many of Mother!’s paying audience they did not quite get the memo on Aronofsky’s style and it feels like he really has pushed this boat to its limits for many people.

The storyline of the film really comes as secondary to the experience of watching the film, the second half especially almost defies any kind of pithy explanation. Ostensibly the film is about an evening that goes awry for a poet and his wife when a doctor turns up out of nowhere, forcing himself on the couple. He is then followed by his wife and as time goes on more and more people turn up, much to the husband’s amusement and his wife’s alarm. The husband here is played with an eerie level of glee by an electrifying Javier Bardem who is a both charismatic and crazed character the role of ‘Him’ (as he is credited). ‘Him’ is a poet, a title that as the world starts to crumble around Bardem and Jennifer Lawrence’s character ‘Mother’ comes to mean a lot more than first thought. Bardem is surely one of the best psycho actors working today, the way he can portray a crazed and unpredictable temperament at times come startlingly close to a Kinski level of crazy. In many other films his performance here would seem ridiculously overblown and scenery chewing… However this being one of the most ridiculous films in so many years he fits right in.

Bardem however only remains so effective due to the at times subdued but at all times masterful performance by Jennifer Lawrence in one of the most unique roles that she has surely ever attempted. The film is from her viewpoint for almost its entire runtime and Aronofsky has used her in such a way that he really has no choice as an actor but to push herself to her limits. ‘Mother’ is not an easy role for her to undertake, she is so often a reactive figure in the plot, not really contributing to the overall path of the story and instead having to play off of, whereas the other characters force the plot. However the focusing on Lawrence for so much of the film means that Lawrence has to do a lot of the legwork in keeping the audience grounded to a sense of place and viewpoint. She is often not saying or influencing much but Lawrence always hold the attention of the camera in her grip and never lets your attention stray from the screen. In such a melodramatic and attention grabbing film as this Lawrence is the lynchpin that without her, the film would fall apart.

The film is centred around these two main roles and does give these characters a lot to do, however Aronofsky’s figure looms large in this film and it is clear that he is the real star of the film. Mother! is so dense with little details and clues as to what is actually going on, every moment is significant to him, it’s clear to see. He wants to baffle and astound you and leave you naked to the possibilities of the film. I am trying here to be as vague as possible to the actual events of the film because I feel that if you are interested in seeing the film it is probably best to know as little as possible about it beforehand.

As I noted earlier though, there are probably some caveats to this you should take into account before seeing it. I would say that to actually enjoy the film you do have to surrender to its surrealist, allegorical viewpoint, just let yourself go along for the ride and make sure you have a stomach for some darkness before going in. For me the coiled spring at the heart of the narrative just tightened and tightened to an almost unbearable level, this is not to say I regretted seeing it . It was an experience akin to being on a truly terrifying rollercoaster where you may want to get off, but you can’t because you are strapped in for the ride whether you like it or not.

Mother! is at times beautiful, at times horrific and at times willingly ludicrous. I never found myself bored or found my attention straying from the events on-screen and as I get further and further away from my initial viewing I have certain images from it that will stay in my mind long after this review is published. It’s an impressively daring piece of work by a divisive filmmaker, which is worth seeing if you know you can take it. If  however you just like Jennifer Lawrence and home invasion films I would say, this is not the film for you.

-Ed

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Mother!

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