Marquis De Sade

Saló or 120 Days Of Sodom : Mythologising The Inane/The Insane

A look at Pasolini’s last infamous film, and whether it was really worth it (it wasn’t).

June 25, 2016

Alex

Saló or The 120 Days Of Sodom

120 Days Of Sodom, Allegory, Analysis, Art-House Cinema, Cinema, Controversy, Fascism, Film, Film Pravda, History, Ideology, Marquis De Sade, Philosophy, Pier Paolo Pasolini, Saló, Sexual Depravity