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Temporal relations

  • Eros + Massacre (1969)

    A look at Yoshishige (Kiju) Yoshida’s swirling vortex of human love and it’s consequences, his 1969 radical epic Eros + Massacre.

    January 22, 2021

    pk493

    Uncategorized
    Art, Cinema, Cinematography, Daijirō Harada, Eros + Massacre, Etsushi Takahashi, Film, Film as a political medium, Hasegawa Genkichi, History, Itō Noe, Japan, Japanese New Wave, Kamichika Ichiko, Kiju Yoshida, Love, Mariko Okada, Nouvelle Vague, Politics, Revolution, Temporal relations, Time, Toshiko Ii, Toshiyuki Hosokawa, Tsuji Jun, Yûko Kusunoki, Yoshishige Yoshida, Ōsugi Sakae
    Eros + Massacre (1969)

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