Film Pravda

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  • Eros + Massacre (1969)

    A look at Yoshishige (Kiju) Yoshida’s swirling vortex of human love and it’s consequences, his 1969 radical epic Eros + Massacre.

    January 22, 2021

    Alex

    Uncategorized
    Art, Cinema, Cinematography, Daijirō Harada, Eros + Massacre, Etsushi Takahashi, Film, Film as a political medium, Hasegawa Genkichi, History, Itō Noe, Japan, Japanese New Wave, Kamichika Ichiko, Kiju Yoshida, Love, Mariko Okada, Nouvelle Vague, Politics, Revolution, Temporal relations, Time, Toshiko Ii, Toshiyuki Hosokawa, Tsuji Jun, Yûko Kusunoki, Yoshishige Yoshida, Ōsugi Sakae
    Eros + Massacre (1969)
  • Sorry To Bother You (2018)

    A small glimpse at the disorienting world of Boots Riley’s Sorry To Bother You.

    February 8, 2019

    Alex

    Sorry To Bother You, Uncategorized
    Armie Hammer, Boots Riley, Brick, Capitalism, Danny Glover, Film, Film as a political medium, Film Pravda, Lakeith Stanfield, Messy Truths, Politics, Radical, Reality, Satire, Self-worth, Sorry To Bother You, Steven Yeun, Surrealism, Tessa Thompson, Truth
    Sorry To Bother You (2018)
  • BlacKkKlansman (2018)

    A fiery intense glare into the volatile world of BlacKkKlansman, by Spike Lee.

    September 15, 2018

    edfoxen

    Blackkklansman
    Adam Driver, Blackkklansman, Blaxploitation Cinema, Cinema, Conflict, Film, Film Pravda, John David Washington, Politics, Power, Race, Racism, Spike Lee, Topher Grace
    BlacKkKlansman (2018)

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