Art
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The French Dispatch + Exhibition Review
Opening the box on Wes Anderson’s stuffed trunk of papers, The French Dispatch (plus review of the exhibition for it!)
180 The Strand, Adrien Brody, Art, Benicio Del Toro, Bill Murray, Cinema, Comedy, Delight, Edward Norton, Film, Film Pravda, Frances McDormand, Henry Winkler, History, Ideas, Illusion, Jason Schwartzmann, Jeffery Wright, Léa Seydoux, Love, Magazines, Magic, Owen Wilson, Publishing, Robert D. Yeoman, Saoirse Ronan, The French Dispatch, The French Dispatch Exhibition, The New Yorker, Tilda Swinton, Timothée Chalamet, Wes Anderson, Writing
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Eros + Massacre (1969)
A look at Yoshishige (Kiju) Yoshida’s swirling vortex of human love and it’s consequences, his 1969 radical epic Eros + Massacre.
Art, Cinema, Cinematography, Daijirō Harada, Eros + Massacre, Etsushi Takahashi, Film, Film as a political medium, Hasegawa Genkichi, History, Itō Noe, Japan, Japanese New Wave, Kamichika Ichiko, Kiju Yoshida, Love, Mariko Okada, Nouvelle Vague, Politics, Revolution, Temporal relations, Time, Toshiko Ii, Toshiyuki Hosokawa, Tsuji Jun, Yûko Kusunoki, Yoshishige Yoshida, Ōsugi Sakae
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War and Peace (Voyna i Mir – 1966-7)
A titanic grappling with Sergei Bondarchuk’s masterpiece of 431 minutes, War and Peace.
Film Pravda 