Time
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Friday (1995)
A comfortable view from the porch of lockdown and F. Gary Gray’s seminal 1995 debut Friday.
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Eros + Massacre (1969)
A look at Yoshishige (Kiju) Yoshida’s swirling vortex of human love and it’s consequences, his 1969 radical epic Eros + Massacre.
Art, Cinema, Cinematography, Daijirō Harada, Eros + Massacre, Etsushi Takahashi, Film, Film as a political medium, Hasegawa Genkichi, History, Itō Noe, Japan, Japanese New Wave, Kamichika Ichiko, Kiju Yoshida, Love, Mariko Okada, Nouvelle Vague, Politics, Revolution, Temporal relations, Time, Toshiko Ii, Toshiyuki Hosokawa, Tsuji Jun, Yûko Kusunoki, Yoshishige Yoshida, Ōsugi Sakae
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City of God (2003)
A reckoning with the eyes and heart of Fernando Meirelles and Katia Lund’s City of God.
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El Sur (The South) – Subtle, Temporal Dreams
A gentle look and exploration into a gentle masterpiece, Victor Erice’s El Sur.
Film Pravda 