Japan
-
Eros + Massacre (1969)
A look at Yoshishige (Kiju) Yoshida’s swirling vortex of human love and it’s consequences, his 1969 radical epic Eros + Massacre.
Art, Cinema, Cinematography, Daijirō Harada, Eros + Massacre, Etsushi Takahashi, Film, Film as a political medium, Hasegawa Genkichi, History, Itō Noe, Japan, Japanese New Wave, Kamichika Ichiko, Kiju Yoshida, Love, Mariko Okada, Nouvelle Vague, Politics, Revolution, Temporal relations, Time, Toshiko Ii, Toshiyuki Hosokawa, Tsuji Jun, Yûko Kusunoki, Yoshishige Yoshida, Ōsugi Sakae
-
The Animatrix (2003)
A look at a piece. 2/4 of a retrospective of The Matrix series.
Alejandro Jodorowsky, Andrew R. Jones, Animation, Anime, Anthology, Cinema, Experiential Cinema, Experimentation, Film, Film Pravda, Japan, Koji Morimoto, Lana and Lily Wachowski, Mahiro Maeda, Perspectives, Peter Cheung, Shinchirō Watanabe, Takeshi Koike, The Animatrix, The Matrix, Visions, Yoshiaki Kawajiri
-
The Human Condition (3/3) – Escaping Death/Wandering in the Wilderness
A final confronting look with Masaki Kobayashi’s The Human Condition.
A.O Scott, Chuji Kinoshita, Cinema, Death, Epic, Existentialism, Faith, Film, Film Pravda, Francis Ford Coppola, Grappling with ideas, History, Ideas, Japan, Junpei Gomikawa, Masaki Kobayashi, Michiyo Aratama, Ningen No Joken, No Greater Love, Road to Eternity, Sam Raimi, Spiderman, Stories, Survival, Tatsuya Nakadai, The Godfather, Truth, Violence, Women, Yoshio Miyajima
-
The Handmaiden: Shifting Exotic Sands
A look into those obsessed with looking in Park Chan-Wook’s The Handmaiden.
-
Lost In Translation – Translation Errors
A look at the literal and metaphorical translation errors in Lost In Translation and its reception.
Film Pravda 